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PARA CAMBIAR, AL PRI HAY QUE CAGAR

(TO CHANGE, YOU HAVE TO SHIT THE PRESIDENT)

PARA CAMBIAR, AL PRI HAY QUE CAGAR - rocio bolver, congelada de uva

MEXICO CITY, MEXICO  •  2012

PARA CAMBIAR, AL PRI HAY QUE CAGAR - rocio bolver, congelada de uva
PARA CAMBIAR, AL PRI HAY QUE CAGAR - rocio bolver, congelada de uva
PARA CAMBIAR, AL PRI HAY QUE CAGAR - rocio bolver, congelada de uva

"Boliver's work is abject art on a first level when with her material body she focuses the attention of his actions on his vagina and/or anus, and uses secretions such as urine, ejaculations, blood, excrement, pubic hair, or the sound that comes out from her body. Abjection as an aesthetic category shares a critical position regarding the sign as univocal, the constitution of the subject under a fixed identity and the hegemonic place of the art-institution. Abjection as an aesthetic category can be seen as a critical look at the asepsis of conceptual art, at the washed and anesthetic of the conceptual. Abject art erupted with the need to make a violent recovery of the humors of the body, of its secretions and excrement, of the abnormal, of the sexual, of the bizarre, of death, of the sinister."

Ensayo de Beatriz Garduño Mejía

CONSTRUCCIÓN DE UN ABYECTO FEMENINO

PARA CAMBIAR, AL PRI HAY QUE CAGAR - rocio bolver, congelada de uva
PARA CAMBIAR, AL PRI HAY QUE CAGAR - rocio bolver, congelada de uva
PARA CAMBIAR, AL PRI HAY QUE CAGAR - rocio bolver, congelada de uva
PARA CAMBIAR, AL PRI HAY QUE CAGAR - rocio bolver, congelada de uva
PARA CAMBIAR, AL PRI HAY QUE CAGAR - rocio bolver, congelada de uva
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